Returning guests at Riyadh Fashion Week probably noticed just how much it had stepped up from last year’s inaugural edition— with better curated brands, more polished collections, fresh formats, and a buzzing international crowd that included buyers (from the likes of Harvey Nichols and Fabric of Society), top-tier press, and industry darlings like supermodel Elsa Hosk and Mustafa the Poet. Spearheaded by the Saudi Fashion Council, RFW made its official debut in 2023 with a staunch mission to boost Riyadh’s relevance in the industry, and cement the Saudi capital as a fashion force to be reckoned with not just in the region, but globally. And if the past five days are any indication, it’s well on its way, surpassing all expectations.
Running from Oct. 17 to 21 across three locations—Tuwaiq Palace, Digital City, and JAX District—the five-day event brought together 37 ready-to-wear, couture, and streetwear brands who showcased their most recent collections through a mix of runway shows, presentations, and an exclusive showroom. This season’s highly-anticipated shows came from designers in the Saudi 100 Brands initiative, a program launched by the Saudi Fashion Commission to nurture and support the next generation of Saudi fashion talent.
Unlike most international Fashion Weeks, which typically divide womenswear, menswear, and couture into separate events, Riyadh Fashion Week takes a more unified approach. It brings all categories together into a single five-day event, creating a comprehensive showcase within one annual fashion week as opposed to six. MILLE got the opportunity to attend the last three days of the event, and we made sure there was no show left unattended. Read through to discover our picks for most memorable collections during the second edition of Riyadh Fashion Week.
1886

The Saudi streetwear brand founded in a London dorm room by Fahad Al-Jomiah and Khalid Al-Jammaz (the name of the brand came from their dorm rooms: 18 and 86) is one of the trendiest homegrown labels. The brand, now under the creative direction of Nicolas Ottersten, a Central Saint Martins graduate who cut his teeth at Acne Studios, Kenzo, and Axel Arigato, closed out the event with a spectacular runway show that we could have easily pictured on the runways of Paris or Milan. Ottersten’s debut show for 1886 was like stepping into a rebellious fashion dystopia—think oversized silhouettes that make you feel both swallowed and powerful, blazers with exaggerated shoulders that almost seem to hover around the wearer, and layering that served as an artful exercise in excess.










